The Extreme Tour Fundraiser

I’ve been invited to join a mission based movement called The Extreme Tour in remote Canda on June 28 for 3 weeks.  The Extreme Tour is a traveling music and sports festival on a mission to display God’s love and to share the love of Jesus with the unchurched, the counter culture and our youth.  The primary purpose of the tour is to reach hurting people for Christ.

As many of you know, over the last several years the direction of my music and probably most importantly the purpose of my music has been changing.  My last release titled ” God It’s You,” was the direct result of the saving power of God’s grace in restoring me from a life of alcohol and drug addiction.  As my relationship with God grows, so does the desire to serve Him.  It is simply my desire to continue to walk through the doors He opens.  I feel He has called me to use my testimony of recovery with the gift of music to grow His kingdom.

This journey in musicianary work is a new step for me and one that I will need the support of friends and family.  I would appreciate your consideration in supporting me financially on this new journey.  I need to make my goal of $1,200.  Each musicianary is responsible for their transportation to and from Canada, as well as travel expenses like gas and other logistical expenses.  As an added incentive for your support, I’m offering digital downloads of my album, personal guitar lessons, a house concert and a full event performance.

If you feel led to help me make this $1,200 goal, click here.  Thank you for taking the time to consider investing in this journey with me.  There is no doubt your support will have an everlasting and eternal impact for God’s kingdom!

Newest Studio Release

Clint Darby - God It's You - EPEven with a life full of musical experience and the completion of two previous releases, it was a losing battle with addiction that left an emptiness only one true relationship could fill. Now, years later and newly restored through God’s power, grace and mercy, Clint finds new inspiration through sharing his story with others and using the gift of music to sing God’s praises on his new C.D. “God It’s You.”. Clint’s new E.P. is a collection of song’s that touch on personal powerlessness, faith, hope, love, and the certainty that God is still restoring lives through miracles.

Purchase Digital Download at:  iTunes | Amazon | CDbaby

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Darby makes play for wider exposure with second release





Montgomery Advertiser (6/12/08)

Musician Clint Darby loves Montgomery. Yes, it’s his hometown, but it’s also a place where, if he wanted, he could play guitar and sing his songs every night of the week for the rest of his life, always to a warm, welcoming, perpetually growing audience.

“Montgomery is a good city for musicians — musicians are valued here,” Darby said. “I’ve played a lot of different places, but the people here seem to be a lot more open to different styles of music.”
Still, as much as he loves his town, for his musical future Darby is looking farther away from home.

His new CD, “Farther Away from Home,” is a collection of acoustic-based, melodic rock songs with multiple guitar parts and arrangements. He’s hoping the CD reaches beyond this region so that more folks can hear him at his best — and, most importantly, on his own.

Darby, 32, is probably best known as one half of the popular acoustic guitar/vocal duo Clint and Kip. A few years ago, he started writing and performing songs with fellow musician Kip Traylor, a local female vocalist and guitarist. Since then, they’ve played seemingly nonstop in Montgomery, released an EP and amassed a devoted group of local fans, breaking only to take their act on a couple of tours.

On “Farther Away from Home,” however, it’s all Clint Darby. On the 10-song CD, he puts his skills as both vocalist and multi-instrumentalist to use, playing not only acoustic and electric guitar but also bass guitar, piano, keyboard, and some percussion instruments. He officially released the self-produced “Farther Away from Home” late last month at the downtown club Off the Wagon, performing for an enthusiastic crowd of around 100.

If you’ve yet to see Darby perform, it’s not because he hasn’t been out there. Alone or with Traylor, he averages about 17-20 gigs a month — the June lineup totals 18 — mostly at local venues such as 1048, Nobles, Mellow Mushroom, Ruddles and, now, The Exchange at the Montgomery Renaissance Hotel & Spa at the Convention Center.

As with many musicians, Darby’s a big presence online. You can not only buy his “Farther Away from Home” ($10), but also hear his songs, watch his videos and read his blogs on his Myspace page, www.myspace.com/clintdarby, or on his personal Web site, www.clintdarby.com .To those accustomed to hearing him as part of a group, listening to his solo work may take you by surprise.

On his own, he said, “I play a different style — a more rhythmic style — and I rely on myself vocally as well. With Kip and the band, I’m singing less and playing more lead guitar. Playing by yourself, doing a solo, one-man show, makes your playing style fuller, more interesting and more diverse.”

Even as he embarks further on his solo career (“Farther Away from Home” is his second CD, a follow-up to his 2005 self-titled EP), he’s still pairing up with Traylor for shows, often with a full band — Alvin Sawyer on bass guitar/vocals and Josh Oswald on percussion.

But those shows are becoming fewer and far between for Darby.

“I would certainly have to say that I’m more involved in pursuing personal and solo endeavors,” he said.

The buzz is generating, and at this point, he said, more than half of his gigs are solo.

Darby’s sound is reminiscent of the contemporary artists he’s drawn to, such as Mindy Smith and Nickel Creek. But you can also sense the impact of his big, earlier influences like Mississippi blues musician Albert King, jazz guitarist Wes Montgomery, and rock guitar virtuosos Eric Clapton and Jimi Hendrix.

“I consider myself as a musician first,” Darby said, and that applies to songwriting as well as performing. The groundwork for songs, “almost seems to arrive subconsciously,” he said of writing music.

It’s only after the musical framework is laid down that he works on lyrics, writing about relationships or uncertainties in life, for instance.

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